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Not only is he likeable, but his role in the development of Makoto’s character is crucial, making his integration into the story feel necessary. In the game I wasn’t too fussed about Ryoji, but in Falling Down I was converted to a fan. Progressing beyond this requires the intervention of Ryoji, a mysterious transfer student who is the main new character in the film. The Makoto we see here isn’t silent because the player is meant to project themselves into him, but rather because he blames himself for Shinjiro’s death, and because he doesn’t want to feel emotionally attached to his friends. This didn’t just allow the film to end on a high note however it marked the beginning of a transformation in Makoto’s character that takes place throughout Falling Down.Īs with Persona 4: The Animation, the portrayal of the game’s silent protagonist is the area in which the largest room for interpretation exists in the anime adaptation. When we left protagonist Makoto Yūki at the end of Persona 3 The Movie #2: A Midsummer Knight’s Dream, he was essentially on the verge of a breakdown, and Shinjiro’s death appeared to have a more significant effect on him than it did in the game.
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They allow the film to tell a story of loss, murder and betrayal, and show the impact this has on the characters, provoking a series of thematically linked subplots that run throughout the movie. The initial climax feels more like the end of a movie than the beginning of one, but the consequences of these events end up being more compelling than the initial revelations.
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This structure is unconventional but works surprisingly well. This doesn’t feel disjointed however, instead the middle section focuses on character development as the cast comes to terms with the events that unfolded at the start of the movie. The plot both begins and ends with action, but between these two points the focus is entirely on the everyday life of the characters. In light of this I didn’t expect Falling Down to surprise me in the way it did, but the movie has several notable improvements over its predecessors, and the result is the best Persona 3 film yet.įalling Down’s biggest success is twofold it adapts what is perhaps the best section of the Persona 3 story, and the adaptation itself is more competent than it was in the first two movies. At the same time it’s now easy to take the impressive visuals and production design for granted – this look is now to be expected. As the third film in the tetralogy, Persona 3: Falling Down faces all the challenges that the previous two movies have already struggled with.